{"id":4771,"date":"2026-08-19T09:00:00","date_gmt":"2026-08-18T23:00:00","guid":{"rendered":"https:\/\/printshop.paperlust.co\/blog\/?p=4771"},"modified":"2026-08-18T11:42:50","modified_gmt":"2026-08-18T01:42:50","slug":"subscription-box-packaging-australia","status":"publish","type":"post","link":"https:\/\/printshop.paperlust.co\/blog\/subscription-box-packaging-australia","title":{"rendered":"Subscription Box Packaging in Australia: What to Order and When"},"content":{"rendered":"<style>\n#post-4771 .entry-content p { font-size:20px; line-height:1.7; }\n#post-4771 .entry-content h2 { font-size:34px; line-height:1.3; text-transform:none; margin-top:48px; }\n#post-4771 .entry-content h3 { font-size:24px; line-height:1.35; text-transform:none; margin-top:32px; }\n#post-4771 .entry-content ul, #post-4771 .entry-content ol { font-size:20px; line-height:1.7; }\n#post-4771 .entry-content table { font-size:16px; line-height:1.5; }\n#post-4771 .entry-content figure.pl-fig { margin:34px 0; }\n@media (max-width:768px) {\n  #post-4771 .entry-content p,\n  #post-4771 .entry-content ul,\n  #post-4771 .entry-content ol { font-size:18px; }\n  #post-4771 .entry-content table { font-size:14px; }\n}\n<\/style>\n<p>Running a subscription box business in Australia means solving a packaging problem that is nothing like shipping a one-off e-commerce order. Your customer opens the same box every month. They handle it, photograph it, share it. The box itself is part of the product experience, not an afterthought wrapped around it.<\/p>\n<p>That changes which features matter, how much stock to hold, and whether you should be thinking about the box in isolation or as the stable frame around a changing insert strategy. This article is written for anyone launching or scaling an Australian subscription box, whether you are boxing a curated monthly beauty kit, a pet treat set, a book and candle combination, or anything else that ships on a regular cycle.<\/p>\n<div class=\"cheat-sheet\" style=\"background:#f8f6f3;border-left:4px solid #c9a96e;padding:20px 24px;margin:28px 0;\">\n<p><strong>The short version<\/strong><\/p>\n<ul>\n<li>The RETF (roll end tuck front) style is the right format for subscription packaging: it opens and recloses cleanly without tape, survives being photographed and handled, and stores flat until dispatch day.<\/li>\n<li>For a standard monthly subscription box, Medium is the go-to size. Full-colour Medium is 310 x 240 x 110mm internally; kraft Medium is 300 x 230 x 115mm. They are not the same dimensions, so choose your format before finalising artwork.<\/li>\n<li>Full-colour digital printing starts at 10 boxes, which makes it the right format for a pilot or a smaller brand. Kraft starts at 500, which suits an established subscription with a known monthly volume.<\/li>\n<li>Order one consistent run rather than topping up frequently. Your subscriber count is your best forecast; a bigger upfront run costs less per box and removes the risk of a colour mismatch between runs.<\/li>\n<li>Keep the box generic and branded; put the seasonal or themed content on a changing insert. You print the box once and update the insert each cycle.<\/li>\n<li>Flat-packed boxes store at a fraction of the volume of assembled boxes, which is why a garage-based subscription operation is viable at scale.<\/li>\n<\/ul>\n<\/div>\n<h2>Why the reseal matters most in subscription packaging<\/h2>\n<p>Most packaging only has to open once. A subscription box opens every month, and a subscriber who has been with you for a year has opened yours twelve times. The reseal is not a nice-to-have; it is a product feature.<\/p>\n<p>The RETF (roll end tuck front) style is built around exactly this. The front tuck flap folds in and holds without tape, which means the subscriber can open the box cleanly, remove everything inside, and then fold it back shut. This matters because subscribers keep boxes. They photograph them for social media, use them to store the contents, or pass them along. A box that stays intact after opening reflects on your brand just as much as the product inside does.<\/p>\n<p>For carrier transit, the recommendation is still to run a strip of tape across the closure flap. The self-locking design holds through normal handling, but carrier conveyor systems and sorting machines are not gentle. A strip of tape across the top is cheap insurance. Once your customer receives the box and peels the tape, the tuck flap opens and recloses cleanly from that point onward, every time.<\/p>\n<h2>Consistency as a constraint<\/h2>\n<p>A subscription business cannot tolerate packaging that looks different from one month to the next. If your box colour drifts between runs, or your logo prints slightly darker one season than it did six months earlier, subscribers notice. They have a visual comparison every single month.<\/p>\n<p>This is the strongest argument for placing one well-specified run rather than a sequence of smaller top-up orders across a year. A single run on a single press, using the same digital file, produces consistent output. Multiple smaller orders placed at different times introduce the risk of board-batch variation, ink density drift, and the possibility that a subsequent order is processed on a different press altogether.<\/p>\n<p>For full-colour mailer boxes, there is also the point that the digital and offset tiers use different presses. A digital small-batch run (10 to 250 boxes) and a volume offset run (500 or 1,000 boxes) may not match colour-for-colour, because the two processes reproduce colour differently. If you start on digital and grow into offset, you are making a press transition, not placing a like-for-like repeat. Plan for it: update your artwork file if needed and allow time for a proof approval before the offset run goes ahead.<\/p>\n<h2>Choosing the right size<\/h2>\n<p>The sizing guidance across both mailer box ranges is to measure your product as it will be packed, including any tissue or padding, and allow roughly 15 to 25mm of clearance on each side. For a standard monthly subscription box, that measurement typically places most kits in the Medium size.<\/p>\n<p>Both ranges offer a Medium, but their dimensions differ. This is one of the more common sizing errors for brands switching between formats mid-run, so it is worth stating directly:<\/p>\n<table style=\"width:100%;border-collapse:collapse;margin:20px 0;\">\n<thead>\n<tr style=\"background:#1a1a1a;color:#fff;\">\n<th style=\"padding:11px 16px;text-align:left;\">Size<\/th>\n<th style=\"padding:11px 16px;text-align:left;\">Full-colour range (internal)<\/th>\n<th style=\"padding:11px 16px;text-align:left;\">Kraft range (internal)<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr style=\"background:#f9f9f9;\">\n<td style=\"padding:11px 16px;\">Small<\/td>\n<td style=\"padding:11px 16px;\">265 x 200 x 90mm<\/td>\n<td style=\"padding:11px 16px;\">265 x 200 x 90mm<\/td>\n<\/tr>\n<tr style=\"background:#fff;\">\n<td style=\"padding:11px 16px;\">Medium<\/td>\n<td style=\"padding:11px 16px;\">310 x 240 x 110mm<\/td>\n<td style=\"padding:11px 16px;\">300 x 230 x 115mm<\/td>\n<\/tr>\n<tr style=\"background:#f9f9f9;\">\n<td style=\"padding:11px 16px;\">Large<\/td>\n<td style=\"padding:11px 16px;\">425 x 295 x 110mm<\/td>\n<td style=\"padding:11px 16px;\">400 x 270 x 90mm<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>The full-colour Medium at 310 x 240 x 110mm suits a skincare kit, a book, or a typical curated monthly box with a few items and some cushioning. The kraft Medium at 300 x 230 x 115mm is slightly narrower and shorter but has more internal height, which changes how it accommodates certain products. If size is close to a deciding factor between formats, measure against your actual packed product before you commit.<\/p>\n<p>Custom sizes are available on request through both ranges if neither standard size suits your product.<\/p>\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" data-src=\"https:\/\/printshop.paperlust.co\/blog\/wp-content\/uploads\/2026\/08\/subscription-box-packaging-australia-1.jpg\" alt=\"Open mailer box viewed from above showing a skincare kit arranged on white tissue paper inside, with multiple light-colored product bottles visible demonstrating interior depth and packing arrangement.\" class=\"wp-image-4820 lazyload\" width=\"1536\" height=\"1024\" data-srcset=\"https:\/\/blog.printshop.paperlust.co\/wp-content\/uploads\/2026\/08\/subscription-box-packaging-australia-1.jpg 1536w, https:\/\/blog.printshop.paperlust.co\/wp-content\/uploads\/2026\/08\/subscription-box-packaging-australia-1-300x200.jpg 300w, https:\/\/blog.printshop.paperlust.co\/wp-content\/uploads\/2026\/08\/subscription-box-packaging-australia-1-1024x683.jpg 1024w, https:\/\/blog.printshop.paperlust.co\/wp-content\/uploads\/2026\/08\/subscription-box-packaging-australia-1-768x512.jpg 768w, https:\/\/blog.printshop.paperlust.co\/wp-content\/uploads\/2026\/08\/subscription-box-packaging-australia-1-650x433.jpg 650w, https:\/\/blog.printshop.paperlust.co\/wp-content\/uploads\/2026\/08\/subscription-box-packaging-australia-1-624x416.jpg 624w\" data-sizes=\"auto, (max-width: 1536px) 100vw, 1536px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 1536px; --smush-placeholder-aspect-ratio: 1536\/1024;\" \/><figcaption class=\"wp-element-caption\">Room to lay a set out flat is worth more than room to stack it deep.<\/figcaption><\/figure>\n<h2>Kraft or full colour: the honest split for subscription brands<\/h2>\n<p>The two formats suit different stages of a subscription business, and the dividing line is primarily about minimum quantity.<\/p>\n<p>Full-colour digital printing starts at 10 boxes. That tier exists precisely so you can test the physical product before committing to volume. At 10 or 25 boxes, you can run a launch cohort, send a pilot drop to your founding subscribers, or validate the unboxing experience with a small group before committing to several hundred units. The per-box cost at 10 is considerably higher than it is at 500, but you are buying information as much as you are buying boxes. A small digital run of <a href=\"https:\/\/printshop.paperlust.co\/products\/custom-full-colour-mailer-boxes\">branded mailer boxes<\/a> is the sensible call if you are not yet certain your artwork, your size choice, and your insert layout are exactly right.<\/p>\n<p>Kraft starts at 500. That minimum exists because kraft uses flexographic printing, which requires a plate setup for each spot colour. That setup cost has to be spread across enough boxes to make the per-unit economics work. For an established subscription brand that knows its monthly volume and is confident in its artwork, a 500-unit kraft order is achievable and often the right move. For a pilot with 20 or 30 founding subscribers, it is not the right starting point.<\/p>\n<p>The design dimension matters too. Kraft prints in one or two spot colours on natural unbleached brown board. Your logo or wordmark sits over the kraft tone, and that contrast is part of the look. If your brand works in a muted, organic palette, kraft can be a feature rather than a compromise. If your brand relies on full-colour gradients, photography or detailed illustration, full-colour digital is the right format regardless of the quantity economics.<\/p>\n<h2>A generic branded box with a changing insert<\/h2>\n<p>The cleanest strategy for a recurring subscription is to treat the box and the insert as separate design layers.<\/p>\n<p>The box carries your permanent brand identity: your logo, your brand colours, and any copy that does not change cycle to cycle. You print this once in a volume that covers several months of shipments, then store it flat until dispatch day. The box does not change.<\/p>\n<p>The insert, the card or folded piece inside the box that introduces this month&#8217;s theme, describes the products, carries a seasonal message, or includes a discount or referral code, is the element that changes each cycle. A flat printed card reprints quickly and inexpensively for each new cycle. It costs a fraction of what reprinting a thousand boxes would cost, and it gives you the flexibility to update messaging, rotate seasonal imagery, or add time-sensitive content without touching the box artwork at all.<\/p>\n<p><a href=\"https:\/\/printshop.paperlust.co\/products\/tissue-paper\">Custom printed tissue paper<\/a> works the same way as a second changeable layer. It prints in one or two spot colours on 28gsm recyclable stock, so a seasonal pattern or a limited edition colour can rotate between cycles while the outer box stays exactly as it is. Allow 16 to 18 working days from artwork approval, which is longer than a flat insert card, so it needs ordering a cycle ahead.<\/p>\n<p>This approach also makes the print consistency question easier to manage. Your box only changes when you choose to change it. Subscribers see the same outer packaging arriving each month, with the changing content experience delivered by what is inside, not by reprinting the outer shell.<\/p>\n<p>For guidance on what goes inside the box and in what order, <a href=\"https:\/\/printshop.paperlust.co\/blog\/how-to-pack-a-mailer-box\">how to pack the box<\/a> covers the practical sequence from product placement through to closing and sealing.<\/p>\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" data-src=\"https:\/\/printshop.paperlust.co\/blog\/wp-content\/uploads\/2026\/08\/subscription-box-packaging-australia-2.jpg\" alt=\"Open subscription box viewed from directly above with a seasonal &#x27;Autumn Edit&#x27; insert card displayed face-up on neatly arranged products, kraft interior visible with branded bottom panel.\" class=\"wp-image-4821 lazyload\" width=\"1536\" height=\"1024\" data-srcset=\"https:\/\/blog.printshop.paperlust.co\/wp-content\/uploads\/2026\/08\/subscription-box-packaging-australia-2.jpg 1536w, https:\/\/blog.printshop.paperlust.co\/wp-content\/uploads\/2026\/08\/subscription-box-packaging-australia-2-300x200.jpg 300w, https:\/\/blog.printshop.paperlust.co\/wp-content\/uploads\/2026\/08\/subscription-box-packaging-australia-2-1024x683.jpg 1024w, https:\/\/blog.printshop.paperlust.co\/wp-content\/uploads\/2026\/08\/subscription-box-packaging-australia-2-768x512.jpg 768w, https:\/\/blog.printshop.paperlust.co\/wp-content\/uploads\/2026\/08\/subscription-box-packaging-australia-2-650x433.jpg 650w, https:\/\/blog.printshop.paperlust.co\/wp-content\/uploads\/2026\/08\/subscription-box-packaging-australia-2-624x416.jpg 624w\" data-sizes=\"auto, (max-width: 1536px) 100vw, 1536px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 1536px; --smush-placeholder-aspect-ratio: 1536\/1024;\" \/><figcaption class=\"wp-element-caption\">A season card sits on top of the pack, so it is the first thing a subscriber sees.<\/figcaption><\/figure>\n<h2>Stock planning against churn and growth<\/h2>\n<p>A subscription business has better volume data than almost any other type of e-commerce. You know how many active subscribers you have, you know your monthly churn rate, and you have a reasonable growth trajectory to work with. That puts you in a better position than a one-off brand to commit to a larger print run with real confidence.<\/p>\n<p>The mechanics are straightforward. At every quantity break, the per-box price falls as the fixed setup cost is spread across more units. The biggest single step in the full-colour range is between the last digital rung (250 boxes) and the first offset rung (500 boxes), because that step changes the press entirely. If your subscriber base can absorb 500 boxes within three or four months, that run makes better economic sense than a sequence of small-batch digital orders placed at shorter intervals.<\/p>\n<p>The calculation to run: take your current active subscriber count, add a conservative growth estimate, then factor in expected churn over the period you want to hold stock. If you have 200 subscribers today and expect to hold or grow that number over the next few months, a 500-unit run gives you roughly two to three months of supply with a working buffer. That buffer handles occasional breakage, photography stock, gifting to wholesale accounts, and natural variance in new sign-ups.<\/p>\n<p>For a closer look at how quantity breaks, setup costs and per-unit pricing interact across the mailer box range, the guide on <a href=\"https:\/\/printshop.paperlust.co\/blog\/budget-packaging-hub\">packaging on a budget<\/a> walks through the economics in detail.<\/p>\n<p>One constraint worth noting at the planning stage: if you start on full-colour digital and later transition to offset as your volume grows, you are moving between production methods, not placing a repeat of the same order. Allow time for a design review and a new proof approval before the offset run begins.<\/p>\n<h2>Storage: why flat-packed is the whole point<\/h2>\n<p>A subscription box operation that stores assembled boxes is paying warehouse rent for air. Every assembled box holds mostly empty space until it is packed, and if you are holding two or three months of stock, the cubic metreage adds up quickly.<\/p>\n<p>Flat-packed corrugated boxes solve this. The RETF format is designed to ship and store completely flat, which means a significant number of boxes takes up a fraction of the floor or shelf space that the same number of assembled boxes would require. For a garage-based subscription business, a small spare room, or a modest 3PL racking allocation, this is not a marginal convenience. It is the reason the storage economics work at scale.<\/p>\n<p>On dispatch day, the box folds up in seconds without tape or glue. You load the contents, close the tuck flap, run tape across the flap for carrier transit, and move on to the next one. If you are packing a hundred or two hundred boxes on a given morning, the fold-up step is fast enough to be built into the packing line without needing to pre-assemble boxes the night before.<\/p>\n<p>If you want to understand what questions to ask about the environmental footprint of the corrugated board, <a href=\"https:\/\/printshop.paperlust.co\/blog\/eco-friendly-mailer-boxes-australia\">what recyclable really means<\/a> goes into the detail behind kerbside collection, board composition, and which claims packaging suppliers are and are not entitled to make in Australia.<\/p>\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" data-src=\"https:\/\/printshop.paperlust.co\/blog\/wp-content\/uploads\/2026\/08\/subscription-box-packaging-australia-3.jpg\" alt=\"Compact stack of flat-packed branded mailer boxes leaning against a wall with botanical designs, hand reaching to pull one box, demonstrating efficient storage and ready state for dispatch.\" class=\"wp-image-4822 lazyload\" width=\"1536\" height=\"1024\" data-srcset=\"https:\/\/blog.printshop.paperlust.co\/wp-content\/uploads\/2026\/08\/subscription-box-packaging-australia-3.jpg 1536w, https:\/\/blog.printshop.paperlust.co\/wp-content\/uploads\/2026\/08\/subscription-box-packaging-australia-3-300x200.jpg 300w, https:\/\/blog.printshop.paperlust.co\/wp-content\/uploads\/2026\/08\/subscription-box-packaging-australia-3-1024x683.jpg 1024w, https:\/\/blog.printshop.paperlust.co\/wp-content\/uploads\/2026\/08\/subscription-box-packaging-australia-3-768x512.jpg 768w, https:\/\/blog.printshop.paperlust.co\/wp-content\/uploads\/2026\/08\/subscription-box-packaging-australia-3-650x433.jpg 650w, https:\/\/blog.printshop.paperlust.co\/wp-content\/uploads\/2026\/08\/subscription-box-packaging-australia-3-624x416.jpg 624w\" data-sizes=\"auto, (max-width: 1536px) 100vw, 1536px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 1536px; --smush-placeholder-aspect-ratio: 1536\/1024;\" \/><figcaption class=\"wp-element-caption\">Flat packed stock leaning ready for the next dispatch run.<\/figcaption><\/figure>\n<h2>Setting up your artwork<\/h2>\n<p>For full-colour mailer boxes, supply your artwork as a PDF, SVG or Adobe Illustrator file. Include 3mm bleed on all sides, place the dieline on the top layer, outline all fonts, and embed all images. The dieline template defines which panels print where when the box is cut and folded, so it needs to sit on its own layer so the printer can hide it before going to press.<\/p>\n<p>For kraft boxes, supply vector art. One or two spot colours sit on the natural brown board, so every element in your file becomes a printed colour. If your logo file contains more colours than you are ordering, consolidate or remove the extra colours before supplying.<\/p>\n<p>Both ranges include a free file review with every order. A digital proof is emailed before anything goes to print, and nothing goes to press until you approve it. This is the point to check that your artwork sits where you expect it on the folded box, that text reads clearly at actual print size, and that your bleed is consistent across all panels.<\/p>\n<h2>Putting it together<\/h2>\n<p>For a subscription box, the packaging decision involves more than which box looks good. It is about which format survives the monthly reseal, which print method matches your current volume, and how to structure your stock run so you are not reprinting boxes every cycle.<\/p>\n<p>The RETF corrugated box, ordered in a run sized to your subscriber count and stored flat until dispatch, is the format that makes the economics and the brand experience work together. Start with full-colour digital if you are in pilot stage. Move to offset or kraft when your volume supports it. And keep the box stable while the insert does the monthly storytelling.<\/p>\n<p>Browse both ranges and get a live per-box price for your size and quantity by exploring <a href=\"https:\/\/printshop.paperlust.co\/categories\/packaging-and-branding\">custom mailer boxes in Australia<\/a>.<\/p>\n<h2>Frequently asked questions<\/h2>\n<h3>What size box is right for a standard monthly subscription?<\/h3>\n<p>Medium is the documented sizing for a standard monthly subscription box across both ranges. The full-colour Medium is 310 x 240 x 110mm internally; the kraft Medium is 300 x 230 x 115mm. Measure your packed product including padding, allow 15 to 25mm of clearance on each side, and confirm against the internal dimensions of the format you choose.<\/p>\n<h3>Can I order a small quantity to test before committing to a larger run?<\/h3>\n<p>Yes, if you choose full-colour printing. The digital tier starts at 10 boxes and is designed for exactly this situation: testing your design, your size choice and your insert layout before you commit to a volume run. Kraft has a minimum order of 500, so it is not a practical pilot format unless your volume already justifies that quantity.<\/p>\n<h3>Do I need to redesign the box artwork for each subscription cycle?<\/h3>\n<p>You do not have to, and for most subscription brands it makes more sense not to. A stable branded box, printed in a volume run once or twice a year, combined with a freshly printed insert each cycle, gives you a consistent unboxing container without reprinting boxes every month. The insert carries your seasonal content and messaging; the box carries your permanent brand identity.<\/p>\n<h3>Does the box stay closed during shipping without tape?<\/h3>\n<p>The RETF self-locking design holds the flap closed through normal handling. For carrier transit through conveyor and sorting systems, a strip of tape across the closure is recommended as added security. After your customer opens the box and peels the tape, the tuck flap functions as a clean resealable closure from that point forward.<\/p>\n<h3>What are the lead times for mailer boxes?<\/h3>\n<p>Full-colour digital (10 to 250 boxes): 3 to 7 working days from proof approval. Full-colour offset (500 and 1,000 boxes): 2 to 3 weeks. Kraft boxes: 2 to 3 weeks from proof approval. Lead times run from proof approval, not from when the order is placed, so factor in file review and proof sign-off when planning dispatch.<\/p>\n<h3>Can I order two different sizes of branded box in the same production run?<\/h3>\n<p>Each size is a separate order because the dieline dimensions differ. You can place orders for two sizes at the same time as separate jobs with separate proof approvals. If your subscription range spans two size tiers, ordering both concurrently is straightforward and lead times run in parallel.<\/p>\n<h3>Are the boxes recyclable?<\/h3>\n<p>Both ranges are made from corrugated board, which is kerbside recyclable in Australia. Neither format is claimed to be compostable, FSC-certified or biodegradable as a certification. The board goes in the recycling bin. Uncoated kraft board goes through kerbside collection without special preparation.<\/p>\n<p><script type=\"application\/ld+json\">{\"@context\": \"https:\/\/schema.org\", \"@type\": \"FAQPage\", \"mainEntity\": [{\"question\": \"What size box is right for a standard monthly subscription?\", \"answer\": \"Medium is the documented sizing for a standard monthly subscription box across both ranges. The full-colour Medium is 310 x 240 x 110mm internally; the kraft Medium is 300 x 230 x 115mm. Measure your packed product including any padding, allow 15 to 25mm of clearance on each side, and confirm against the internal dimensions of the format you are ordering before committing.\"}, {\"question\": \"Can I order a small quantity to test before committing to a larger run?\", \"answer\": \"Yes, if you choose full-colour printing. The digital tier starts at 10 boxes and is designed for testing your design, size choice and insert layout before committing to a volume run. Kraft has a minimum order of 500, so it is not a practical pilot format unless your volume already justifies that quantity.\"}, {\"question\": \"Do I need to redesign the box artwork for each subscription cycle?\", \"answer\": \"You do not have to, and for most subscription brands it makes more sense not to. A stable branded box printed in a volume run once or twice a year, combined with a freshly printed insert each cycle, gives you a consistent unboxing container without reprinting boxes every month. The insert carries your seasonal content; the box carries your permanent brand identity.\"}, {\"question\": \"Does the box stay closed during shipping without tape?\", \"answer\": \"The RETF self-locking design holds the flap closed through normal handling. For carrier transit through conveyor and sorting systems, a strip of tape across the closure is recommended as added security. After your customer opens the box and peels the tape, the tuck flap functions as a clean resealable closure from that point forward.\"}, {\"question\": \"What are the lead times for mailer boxes?\", \"answer\": \"Full-colour digital (10 to 250 boxes): 3 to 7 working days from proof approval. Full-colour offset (500 and 1,000 boxes): 2 to 3 weeks. Kraft boxes: 2 to 3 weeks from proof approval. Lead times run from proof approval, not from when the order is placed.\"}, {\"question\": \"Can I order two different sizes of branded box in the same production run?\", \"answer\": \"Each size is a separate order because the dieline dimensions differ. You can place orders for two sizes at the same time and they will run as separate jobs with separate proof approvals. If your subscription range spans two size tiers, ordering both concurrently is straightforward and lead times will run in parallel.\"}, {\"question\": \"Are the boxes recyclable?\", \"answer\": \"Both ranges are made from corrugated board, which is kerbside recyclable in Australia. Neither format is claimed to be compostable, FSC-certified or biodegradable as a specific certification. The board goes in the recycling bin. Uncoated kraft board goes through kerbside recycling without any special preparation required.\"}]}<\/script><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Choose the right mailer box for your Australian subscription business: sizing, print format, run quantities and stock planning explained.<\/p>\n","protected":false},"author":5,"featured_media":4819,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_yoast_wpseo_title":"Subscription Box Packaging Australia: How to Order","_yoast_wpseo_metadesc":"Choose the right mailer box for your Australian subscription business: sizing, print format, run quantities and stock planning explained.","footnotes":""},"categories":[26],"tags":[],"class_list":["post-4771","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-print-guides"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.1 - 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