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Business Cards

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Appointment card stack on a pale oak salon reception desk with sage green salon name and blue pen date and time

What to Put on an Appointment Card: Clinic and Salon Examples

  • September 25
  • Anna Devanti
  • Business Cards

A practical guide to the fields, wording, privacy and paper choices that make an appointment card easy to write at the desk and easy to read later.

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White stamp card stack on a timber cafe counter with terracotta coffee cup stamps, a latte and a wooden rubber stamp

Stamp Card: Grid, Reward Wording and Paper Choice

  • September 25
  • Alex Boston
  • Business Cards

A practical stamp card guide to grid layout, reward wording and unlaminated paper that takes a stamp and a pen at the counter.

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Three cards on a pale timber table: white with sage fern, white with rose gold foil, and black with silver foil, beside a green pen and leaves.

Business Card Finishes by Trade: Florist, Jeweller, Architect

  • September 17
  • Alex Boston
  • Business Cards

Which business card finish suits florists, jewellers, architects and interior designers, and how the pressed and digital ranges compare.

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White desk with an artwork proof showing a black EL monogram, a cotton card with the same dark green monogram, and a fan of green swatches.

Artwork for Letterpress and Foil: Setup That Proofs Clean

  • September 17
  • Anna Devanti
  • Business Cards

Letterpress and foil stamped cards are tooled from your file, so vector artwork, solid masks and PMS colour names decide how cleanly proofing runs.

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Four business cards fanned on a warm travertine plinth in low sunlight, showing gold finishes on matte black, navy textured, and white cotton stock.

Gold Foil on Business Cards: How the Four Methods Differ

  • September 16
  • Alex Boston
  • Business Cards

Gold foil business cards are made four different ways, and the right choice depends on your design, deadline, budget, and how you want the finish to feel.

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A stack of white cotton business cards on oatmeal linen with raw cotton bolls, a speckled dish, and a grey pen.

Cotton Paper for Business Cards: Board, Impression and Cost

  • September 16
  • Anna Devanti
  • Business Cards

A practical look at cotton paper for business cards, from fibre and coating through letterpress, foil and the 18 to 23 working days.

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White cotton business card with charcoal pressed lettering and a leaf line drawing on a pale oak desk beside blank white cards and blurred leaves.

Letterpress Printing: What the Process Really Involves

  • September 16
  • Anna Devanti
  • Business Cards

Letterpress printing is a relief process that presses a raised inked plate into soft cotton paper, leaving text you can see and feel.

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White cotton business cards with a gold foil leaf sprig and border on sand coloured linen, with gold pen, eucalyptus and stone cup.

Foil Stamping Explained: Four Finishes, Lead Times and Choice

  • September 15
  • Anna Devanti
  • Business Cards

Foil stamping is a heated die process, but the word foil hides several metallic finishes. Here is how hot foil, digital foil and cold foil compare.

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Two white textured cotton business cards overlap on travertine stone, one pressed green name, one raised gold foil name and leaf motif.

Embossing vs Debossing: Raised, Recessed and How to Choose

  • September 15
  • Anna Devanti
  • Business Cards

See how embossing and debossing differ, and what that direction means for letterpress, foil stamping and embossed foil business cards.

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Five business cards fanned on charcoal slate with sprig monograms in terracotta ink, silver, raised clear gloss, tone on tone gloss and copper foil.

Premium Business Cards: Pressed and Digital Options Compared

  • September 15
  • Alex Boston
  • Business Cards

A practical map of premium business cards: pressed cotton finishes, digital velvet finishes, flat foil and duplex, with prices and production times.

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